Showing posts with label Xu Lizhi. Show all posts
Showing posts with label Xu Lizhi. Show all posts

Friday, 20 January 2023

Quiet.


           Though we have millions of people who take their anger on to the streets and show it in other very visible means, direct action etc., we should not forget that quiet multitude. Their silence does not equate with acceptance of this unjust capitalist system. They are aware that their lives are not what they could be, they are aware of the inequality. These are the people we have to convince that we can build a better world for all, without that quiet majority we are going nowhere. They want a better world, we have to raise their anger, so that they will join us on the streets, in strikes, in solidarity with all those in open struggle against this festering greed driven capitalist system. 

                                             Image courtesy of Kids Creative Chaos.

Another wee gem of a poem from the Chinese poet Xu Lizhi.

"Conflict"

They all say
I'm a child of few words
This I don't deny
But actually
Whether I speak or not
With this society I'll still
Conflict

 

Visit ann arky's home at https://spiritofrevolt.info  

Tuesday, 10 January 2023

Emotions.

          I love poetry, some more than others, there can be so much emotion encapsulated in a few lines, a vid picture can appear in a verse. I find Xu Lizhi's poems very moving. "I Fall Asleep, Just Standing Like That" is a poem that I'm sure those who work at boring repetitive jobs can identify with the words and emotions.
        Xu Lizhi a young Chinese poet who took his own life on 30 September 2014, at the age of 24, in Shenzhen, China.


"I Fall Asleep, Just Standing Like That"


The paper before my eyes fades yellow
With a steel pen I chisel on it uneven black
Full of working words
Workshop, assembly line, machine, work card, overtime, wages...
They've trained me to become docile
Don't know how to shout or rebel
How to complain or denounce
Only how to silently suffer exhaustion
When I first set foot in this place
I hoped only for that grey pay slip on the tenth of each month
To grant me some belated solace
For this I had to grind away my corners, grind away my words
Refuse to skip work, refuse sick leave, refuse leave for private reasons
Refuse to be late, refuse to leave early
By the assembly line I stood straight like iron, hands like flight,
How many days, how many nights
Did I - just like that - standing fall asleep?

-- 20 August 2011

 

Shy, quiet, introverted, solitary

In 2010, Xu Lizhi went [from his home in rural Jieyang, Guangdong] to work at [a] Foxconn [electronics factory in Shenzhen], beginning life on the assembly line. From 2012 until February of this year [2014], over 30 of his writings were published in Foxconn’s internal newspaper Foxconn People (富士康人), including poems, essays, film reviews, and news commentaries {…} Xu posted the titles of these writings on his blog in a post called “The Maturation Given to Me by a Newspaper,” indicating his gratitude for this platform for his literary aspirations. The first time his friend Zheng (pseudonym) read Xu’s poetry, he was astonished to discover that this young man could be so talented. Henceforth, Zheng always looked for Xu’s writings in the newspaper.
           Zheng’s impression was that Xu was a shy boy, “of few words, but not silent.” “Xu asserted his convictions, but he seemed quite solitary – very much the air of a poet.” When Zheng heard of Xu’s suicide, his entire [week-long] break for [China’s] National Day was shrouded in grief. He could not go outside for days.

          Turning feelings into poems; fearing they be read by family

          Most of Xu’s early poems were descriptions of life on the assembly line. In “Workshop, My Youth Was Stranded Here,” he described his conditions at the time: “Beside the assembly line, tens of thousands of workers [dagongzhe]1 line up like words on a page/ 'Faster, hurry up!'/ Standing among them, I hear the supervisor bark.” He felt that “Once you’ve entered the workshop/ The only choice is submission,” and that his youth was coldly slipping away, so he could only “Watch it being ground away day and night/ Pressed, polished, molded/ Into a few measly bills, so-called wages.”

Readthe full article HERE.

Visit ann arky's home at https://spiritofrevolt.info